on the back of massive summer anthems from dark mountain group and rodermaal, buzzing fly is back. ben watt’s a&r skills and ear for a tune brings us rocco – house music for the heads. originally handed to a few top tastemakers last christmas, the release of this undoubted deep and deadly floor-killer from lyon s rocco, was delayed six months after john digweed requested it as an exclusive for his recent best-selling >transitions< mix compilation. permission granted, its now back for its official full release on buzzin’ fly and, following his dastardly cut >blood< this summer, we ve added a brand new thrumming and funky tech-dub remix from francois dubois (a.k.a. lars sandberg a.k.a. funk d void) just for good measure

contains original mix, rob mello no ears dub / undeniably flavor of the moment radio slave deliver their latest bass heavy single on their much anticipated label. also featuring a bleep infested remix from rob mello, this is a strong package.

good song writing and a keen melodic ear set ludo and his new emotive composition apart. hectorine is a womans name and from the sounds of it ludo is in lust. remixes are served up by new school minimalist alland byallo and in house jet setters audio soul project. alland keeps the epic pads from the original weaving in and out of his surgically designed bouncy groove. on the flip asp get down to business with a remix that would’ve been right at home on their seminal community lp. the song is essentially re written with new music and drums. this rendition could almost be mistaken for a track on one of todays fashionable labels except for its lack of dogma and cliché

the 4th release on the ever-consistent ork recordings provides us with irresistible ear candy and some seductive hip shaking moments. the maverick production talents of fish go deep (shane johnson and greg dowling) and stockholm based mark o sullivan (from the seminal dk7 and mark and john) recently set up camp for a few days in their spiritual home of cork city ireland to record this truly sublime ep. fish go deep have been staples on the house underground for many years, releasing music on labels like i! records, brique rouge, chez music and imperial dub. their own go deep imprint debuted in 2005 with the worldwide hit >the cure and the cause<, a vocal which has since been licensed for wider release by defected

the return of keynote records! after the great last releases of joris voorn (keynote 011) and arne weinberg (010), its time for a new talent from rotterdam. mark du mosch delivers some sweet tracks between metro area and dan curtin. a stange but sweet mixture between techno and italo.. nice tasty tracks for sure. next releases are already lined up from this guy...so keep an ear open when you hear his name!

the album from berlin based artists sasse (aka freestyle man/mr negative) shows his musical roots starting from disco and italo, going thru the clubby chicago and detroit techno influences mixed with his fine ear for catcy melodies and fine tuned arrangements.the album is featuring vocalists kiki (b-pitch control), malte (losoul/playhouse), jani lehto (star you star me) and bernadette hengst (die braut haut ins auge)..

catch on! mosfamous on a ski-track. xxx- resulted & ear enchanting winta - electronic - adventures ep, that we are proud to introduce to you, contains 3 brand new, eclectic trips that can be only compared to some short-metric movies..

new york voodoo mastermind tony rohr has done it again. tony rohr loves you all (aptly titled) presents the listener with 10 tracks of dubbed out electronic goodness. no matter what your favorite style, genre, >scene<, or whatever… tony is sure to deliver a track or two on this album that will catch your ear, have your toes tappin and put a smile on your face in no time! tony returns a bit more to his harder roots on the album with tracks like twentyfour, el sonido, and the i love techno anthem super kool hoon. with infectious synth lines and tribal percussion, these are the perfect tools to rock the dance floor

the a-side presents >shick<, a dark minimal pusher. permanent sticks hold the tempo, while a dark but dirty melody slowly rises up and starts to lead the track. after a short break, >shick< evloves its whole sable grandeur. take your time to enjoy this one.. on the b-side, you find another strong bit. >shock< is less dark but more funky. shuffling hihats, a jumping bassline and some short chords qualify shock s heavy demand on the dancefloor. a thin open hihat makes grooves on and on and a short ear candy melody wont leave your head for hours. do we need anything else? dont think so

ok, we've got big stadium techno here nice tracks here the first is a nice opener with the reverse is a nail driver. drums and effects galore. it defiantly makes me feel like i want to go 10 rounds with mike tyson, just as long as i have ear protection

phat nu label launch - electro-techhouse bullet from belgium, played by blackstrobe / tiga / dj t..

big with: miss kittin, duriez & smagghe, edition two begins with brooklyn nyís frankie bones, with an amazing old school rave acid track esctacy express. secondly, tjr, a good friend of paul birken and terry mullan, offers up an amazing dark acid house cut for us from canada, mateo murphy, a new world leader in techno, contributes an amazing track to the compilation.. lastly, one of the old school legends of chicago acid house mystic bill give us take me back. !! bomb!

gabba !

definitive career-spanning anthology of avantgarde trip-hop artist leslie winer.

at least one good thing to come out of the shitshow that was (is) 2020 - it gave sleaford mods enough material and motivation for a new album. what better way to start a new year than hearing jason williamson bark into the face of establishment.

classic disco sounds ! boston goes disco!

kuf create emotion-laden dialogues across layers of time and dimensions of sound. voices recorded in private are chopped up and brought out center-stage to sing with beats hammered out right here and now. glowing synths push forward. basslines rise to grab the melodic role of a track while a vowel is truncated and locked into a grid, driving the rhythm. voices move within the frame of a sample, performed by hands pushing keys, guided by the ear, immersed in a trio sessions deep flowÉ a vortex of quirky hands, responsive ears and glowing circuits. since thomas a. edison first recorded the human voice in 1877, the recording arts have changed music forever. musicians have explored the endless possibilities of bouncing their input onto layers of tape, off the walls of an echo chamber or the circuitry of electronic helpers - technology that modulates, spatializes, shifts, divides or multiplies the work of human hands and mouths. an era of sampling offered a cubistic analysis of the recorded past and djs took dancers onto intricately fractured time travels. this is the historic foundation that kuf keep probing. just like the sampler and the dj before them, they found new ways to re-allocate where machine and man stand when making music together. most importantly, they turn the resulting friction into sparkling bursts of energy. Ôuniverse digs deeper into the android vocal chords. the album offers sweeping melodies, different beats and persistent bass. immerse in the intimacy of the voices, probably recorded in trains, backstage areas and at late night private parties during berlin lichtenberg warehouse rehearsals. by striking the keys, kuf squeeze out and serve up all the soul accumulated in those savory phonetic shreds.

this is gajek. this is 17. come in, feel free. dont worry if you see a flute in the sink. matti gajek s followup to his 2014 debut album restless shapes opens the floodgates to signals from a future best navigated by ear. moving through polyphonic pulses, layers of grooves and sounds, zooming in and out of ever evolving patterns of concentration and decomposition, the ten tracks of gajeks 17 are electrifyingly futuristic clubmusic true to the almost five decades old motto of berlins zodiak free arts lab: ãtotal freie musik - totally free music. paying tribute to electronic pioneers like hans-joachim roedelius and florian fricke while staying clear of historical mystification gajek revisits the abstract clarity and improvisational audacity of 1970s electronics from a perspective this is not 71. today motoric rhythms emerge and elapse from postdigital aural scapes, intense and sublime, linking the thermodynamic to the ephemeral. beyond the echoes of past utopias 17 discovers present signs for possible tomorrows.

the band scarletts fall is a duo formed in 2014 by ruth childs (british-american performance artist and singer based in geneva) and ste?phane vecchione (swiss performance artist and musician based in lausanne). they define themselves as dirty-girlie-kitchen-pop mixing catchy melodies and repetitive looping with fragile vocals and provocative texts. out of their playfully ironic and poetic universe you can ear shades of can, broadcast and young marble giants.

milky bomb records are releasing the debut album from slf&co titled no beats in algebra. slf&co no beats in algebra is a collaboration of vocalists and musicians also known as the lovely folk & friends from around the towns of blighty. the slf&co project came to light from a pc, in a flat, in norwich. clocks tick, tracks emerge, people lend an ear, a voice, some insight and the occasional slap. influenced and inspired by many different genres and production techniques with a few bits and bobs of rock, electronica, ambient, dance, hip/trip-hop, avant-garde and progressive music. no beats in algebra will fulfill all of your musical preferences in one nicely rounded package for the ears and mind to ponder. featured artists on no beats in algebra can also be found with their respective groups on the compilation release an amalgamation of sorts. part zero (2015) through milky bomb records.

being pioneers with a new album created in no more than 6 months, the orb are bound to be exposed to fan expectations running high, while quizzical questions about little fluffy clouds and the good old times take over. it s especially jarring as the duo of accomplished soundsmiths alex paterson and thomas fehlmann has become known for its genre-bending curiosity and surprising sonic detours, exploring experimental soundscapes as well as club-friendly beats. the funny thing is, though, that whatever the context, you know a track from the orb when you hear it. case in point: cow / chill out, world!, their latest full-length offering - a masterful ambient album that branches out in many directions, but unmistakably sounds like the orb in either ear (and probably to your third ear, too).

everything i know and i will never know about you is a journey through electronica, deep-house and pop, driven by the endless and timeless sources of inspiration that are love and life. prior releases on powerhouses diynamic, get physical and third ear have pinpointed denites sound at the border of deep and tech-house but his long player debut is, sonically, a fresh new adventure. the spanish producer takes a developed and matured sound into deeper dimensions of self-reflection, exploring new sonori- ties while remaining loyal to his early influences with strong personal touches on drums and keys. everything i know and i will never know about you is a bold move for denite, who comes a step closer to achieving his artistic vision. tracks like when i go out and the art of letting go embody the albums innate dance-floor nature while songs like berlin see the spanish producer looking square towards new horizons and musical ambitions. club-friendly while staying geared towards the headphones, everything i know and i will never know about you reads like a bridge between two love stories with similar paths and mirroring endings. opening with the slow, pulsating sound of a heartbeat, it follows the universal cycle of the highs and lows of a relationship, closing on brighter promises and new potentialities

our artist led hospital mixtape series continues! over the years, s.p.y has become one of the most well-respected producers and djs in the game with an astute ear for the crispest, deepest and darkest drum & bass. s.p.ys sets are consistently crammed with the highest quality selection, which hasnÕt gone unnoticed. in 2015 he was chosen to present the prestigious bbc radio 1 essential mix for pete tong and subsequently joined annie mac at her bbc radio 1 stage at glastonbury festival.

nihil is the new album from norwegian composer and sound artist anders broby.

italian dj and producer manuel fogliata hasnÕt released a lot of records over the last ten years, but the few he has put out have always been worth tracking down. perhaps best known for his work alongside donato dozzy in creating the much sought-after aquaplano records at the tail end of the last decade, nuelÕs solo outings have been just as consistent and just as impressive. whether taking on metallic electro or syrupy, bass-heavy ambience, nuelÕs attention to detail and his keen ear for a groove has made each release something to treasure. nuelÕs only previous full-length, trance mutation (further records, 2011), was a masterpiece of minimal repetition.

in recent times, phantasy have provided the soundtrack for many adrenaline fuelled nights and hazy mornings with critically acclaimed albums from daniel avery (drone logic) and connan mockasin (forever dolphin love & caramel). their latest discovery ghost culture emerges from the shadows to make the space between those two worlds his own. since announcing his arrival one year ago with a debut single mouth, the london based artist has built up a feverish following with a further pair of ear catching singles. this trio of sell-out releases, each pressed on invisible vinyl, offered a glimpse of a rare talent whose music was just as at home in the club as it was in ones bedroom. now phantasy, are proud to present his self titled debut album, a collection of ten tracks rich in emotion, musicality and sonic artistry.

36 tracks mixed by danny tenaglia

deep vibes recordings returns to the fore with none other than notorious frank heinrich aka reboot, purveyor of masterfully crafted rhythm etudes and a highly respected member of frankfurts vibrant house scene. with deep v, the offenbach-bred producer brings his seething second album to sascha dives imprint, bursting at the seams with intricate percussive bliss and nimble-footed grooves for the enthused dancer

zusammengestellt aus den besten teilen dreier eps spiegelt es die ungezŸgelte kreativitŠt dieses von strictly kev zusammengehaltenen multi-produzenten projekts wieder, welches in den 1990er jahren von coldcut gegrŸndet wurde. die wahrscheinlich grš§te †berraschung bei the search engine ist der sound.die assoziationen zum frŸhen jazz breaks-dj food sound werden quasi Ÿberollt von einem psychedelic rock album der allerfeinsten sorte - donnerndes schlagzeug und fuzz bass zusammengebracht mit der dj food-typischen sampletechnik. das album erscheint als sehr smart aufgemachtes digipak mit stilprŠgendem und futuristischem cover design wie man das von dj food, der auch als ninja tune chefdesigner fungiert, gewohnt ist. als gŠste mit von der partie sind u.a. the thes matt johnson, natural self und jg thirlwell (foetus, stereoid maximus)!

2011 release from british producer / remixer / dj adam gibbons aka lack of afro. gibbons combines his live musicianship and top notch studio production skills with rappers and vocalists into a skillful combination of compositions blending funk, hip hop and soul into a steamy stew of a breakbeat bonanza. as a multi instrumentalist, in-demand producer and remixer, a dj with his finger on the cutting edge of contemporary sounds, and an ear tastefully cocked to the hippest soul, jazz and funk music from the 60s and 70s, gibbons has already established an unrivalled reputation as one of the most crucial names at work in funk and dance music today.

for over a decade mark grusane & mike cole have been a vast music resource for djs, producers, collectors, rare music compilers, and specialty stores around the world. they started individually, each with their love of music. they traded and sold music with those -in the know- for years. in 2004 mark & mike focused their energies into founding mr. peabody records. the business plan and mission was to become a world class resource for all genres of obscure music. until now, their focus has been growing the shop. but the soul of mr. peabody records does not reside in the bricks and mortar the store, or even in the bins of records themselves. the real genius lies in mark & mikes unique ear for music.

dj diamond is 24 year old karlis griffin from the west side of chicago. he has been producing music since the age of 13 and djing since 20, heading the -flight muzik- clique of footwork producers. you might recall his two tracks from our -bangs & works vol.1- footwork compilation of last year. in addition hes also released several mix cds in chicago, but this, his first international album showcases his unique style of footwork music. dj diamond is a unique producer with his own distinct style and an unusual ear for unexpected sonic and rhythmic combinations within the footwork template. often he thoroughly edits samples into tiny trance-inducing, techno-like stabs. combining this with a penchant for neon synths and loose, broken drums (that are often more effect-laden and freeform than those of of his peers) and you have a sound which has an intriguing, deeper, dreamlike feel. the breadth and quality of his production is clear when you listen to this album. take opener -rep yo clique-s woozy drawling synths and tribal tom patterns next to -speakerz n tonguez- with it-s snapping snares, minimal, repetitive voice samples and martial, detailed drum work. then a track like -torture rack- which is like grime in outer space: a minimal bassline and some samples from a computer game, while a bass kick stumbles at half time, swarms of percussive detail giving it drama. its a brilliant exercise in wonky tension. the extraordinary -decoded- comes across like a kind of amalgam of trance and prog rock bombast at 160bpm while -wreckageÕs- high pitch saw noise is like a strange metallic bird-call, over light cymbals, gabba-like kicks and metallic claps. -digimons- harmonic microedits could even be an snd track transported to chicago. finally the albums closer -i choose you- rolls out over a heavily edited and processed soul sample, its drums rolling off at odd angles to almost seasick effect.

chaim avitals seductive house sound with its subtle oriental flavour has been enchanting dance floors around the world for several years. on his debut album >alive< his music becomes all the more universal: with a unique ear for suggestive melodies, the musician from tel aviv shapes these euphoric moments of club music into absorbing pop songs. they burst out of the club doors and ring out of radios and headphones. with the opener >rain< we feel a soft, summer rain showering over us. the melodies glisten like the suns rays piercing a cloudy sky

this summer beni will continue to reign the dancefloor supreme with a new monster slab of black plastic, maximus featuring vocals from the mighty sam sparro. who put the fun in acid-funk you ask? the answer is: beni did. a low-slung exercise in dark and dirty arpeggiated sleaze, maximus marries a sparse bubble-groove that creeps up behind you and licks your ear with a very purple vocal performance by sparro to devastating effect. the resulting track is something akin to kiss-era prince and friends dirty dancing at a toga party while ancient rome burns down around them. on the flipside beni and nicky night time give maximus a night-time re-dub rubdown, taking the track away from the creepy funk freak and towards a straighter slammer jammer, favouring blatant dancefloor manipulation over the subtle and the sexy. also featured (and included on the next kitsune maison 7 installment) is fringe element, which encapsulates the feeling of surfing on a shooting star like never before, with beni sitting proudly at the controls. an electronic orchestra of descending basslines, vocoder snippets, bleeps and acid squeaks, fringe element caps off another compelling chapter in benis lifelong voyage through dance. after the cover of his first ep my love sees you made by geneviíve gauckler, his new 12 is illustrated by french artist andre.

2 cd compilation die den cocoon sommer 2008 wiederspiegeln.mit den newcomern minilogue, markus fix und robert dietz eršffnet er dies mal eine funkige und housige saison and die auch mit cd 2 angeknšpft wird.reboot und johnny d prŠsentieren ihre eigenen tracks, die kompromisslos den vibe der insel wiederspiegeln.

steve bug - innovator, minimal dance connoisseur, tech house master - though he s been given many prestigious titles, if theres one quality that can be best attributed to steve bug, it would be modesty. its a trait that has followed him throughout his illustrious career, from his early days as a child building guitars out of cardboard, to his early lessons in percussion at school to his beginnings as a mixtape dj to his first productions. despite the fact that hes now largely regarded as one of the founding fathers of minimal - creating his >da minimal funk< compilation over 10 years ago - and one of the most sought-after 4/4 djs booked today, bug remains truly humble when reflecting on the majestic rise from his beginnings as a dancefloor-dwelling clubber in bremen, germany to ruling his renowned dessous/poker flat empire in berlin.